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The case for writing in the margins

Clean books are a kind of politeness nobody asked for. What a pencil does to a page, and to the person holding it.

June Ashworth

June Ashworth

Writer and editor

The case for writing in the margins

There is a particular kind of reader who leaves a book cleaner than they found it. I was one for years. I treated every paperback as if some future owner would object to knowing I had been there.

Then a friend lent me her copy of a novel we had both been circling for months, and it came back covered in pencil. Arrows. Question marks. A single word in the margin of chapter four: finally. Reading it was like hearing her think.

A mark is a record of attention

A margin note is not criticism. It is proof that you were awake at a specific moment on a specific page. Six months later the underline is worth more than the sentence beneath it, because the sentence is in every copy and the underline is only in yours.

This is the part people miss when they photograph a passage instead of marking it. The photograph saves the words. The pencil saves the encounter.

What I write, and where

I have kept the same three habits for about four years now.

  • A vertical line beside anything I want to find again.
  • A question mark where I disagree, which is more often than I would like to admit.
  • On the last page, a short index of the pages that mattered, written the day I finish.

That last one takes four minutes and does most of the work. When I go back to a book two years later I read my own index first, and about half the time it is enough.

The best argument for marking a book is that it turns reading from something you consumed into something you did.

The objection about resale value

Nobody has ever offered me money for a used paperback. I checked once, out of curiosity, and the going rate for the sort of books I own is roughly the price of a coffee, minus postage. Whatever your annotations cost in resale, they return in the one copy you will actually reread.

Library books are a different matter. For those I keep a small stack of index cards and write the page number at the top. The card lives in the book until I give it back, then in a box on the shelf. It is not as good. It is close enough.

Start with a book you have already read

If the blank margin feels like a wall, go back to something you finished last year and mark it up now, at a distance. You will find that you remember almost none of it, and that the two or three things you do remember are not the things you expected. That gap is the whole reason to keep a pencil in your hand.

June Ashworth

Written by

June Ashworth

Writer and editor

June writes about attention, craft and the small habits that hold a working life together. She spent nine years editing other people's books before starting Marginalia as a place to think in public.